inebriatedpony: agentotter: bobthemole: lohrien: Illustrations by Abby Diamond behance l tumblr When I was little, my Mom made up stories about a kingfisher who was King of all the regularfishers. These are so beautiful; I’ve always wanted to be able to draw like this. (And how awesome would these be as tattoos?) I’d like to hear the story about King Fisher.
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inebriatedpony: agentotter: bobthemole: lohrien: Illustrations by Abby Diamond behance l tumblr When I was little, my Mom made up stories about a kingfisher who was King of all the regularfishers. These are so beautiful; I’ve always wanted to be able to draw like this. (And how awesome would these be as tattoos?) I’d like to hear the story about King Fisher.
Zoom Info
inebriatedpony: agentotter: bobthemole: lohrien: Illustrations by Abby Diamond behance l tumblr When I was little, my Mom made up stories about a kingfisher who was King of all the regularfishers. These are so beautiful; I’ve always wanted to be able to draw like this. (And how awesome would these be as tattoos?) I’d like to hear the story about King Fisher.
Zoom Info
inebriatedpony: agentotter: bobthemole: lohrien: Illustrations by Abby Diamond behance l tumblr When I was little, my Mom made up stories about a kingfisher who was King of all the regularfishers. These are so beautiful; I’ve always wanted to be able to draw like this. (And how awesome would these be as tattoos?) I’d like to hear the story about King Fisher.
Zoom Info

inebriatedpony:

agentotter:

bobthemole:

lohrien:

Illustrations by Abby Diamond behance l tumblr

When I was little, my Mom made up stories about a kingfisher who was King of all the regularfishers.

These are so beautiful; I’ve always wanted to be able to draw like this. (And how awesome would these be as tattoos?)

I’d like to hear the story about King Fisher.

(via memorian)

Source: lohrien

pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info
pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info
pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info
pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info
pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info
pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info
pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info
pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info
pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info
pinstripesuit: wizzard890: andreasmroberts: Nicola Samori (b. 1977). Italian. Neo-Baroque?? Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones. Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before.  He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves. Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists. (Long story short, here’s his website, go check it out!) reblogging these again because yes
Zoom Info

pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.

Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.

Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 

He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.

Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.

(Long story short, here’s his website, go check it out!)

reblogging these again because yes

(via julietsbb)

Source: andreasmroberts

I’ve been trying to figure out who I am. I can tell you that when I stare at a room long enough, I’m nauseated at how disjointed everything looks - like a dollhouse with ugly furniture. I can tell you that I’ve been so tired lately, no matter how much sleep I get. There are thousands of worlds, universes even, inside of my mind, but I can’t tell you the names of the planets and the galaxies. I’m thinking of how I am, and I’m unsure of what the answer is. I’ve gotten terrible at articulating my thoughts, it seems. My words aren’t flowing. They’re stuck. I’m in a rut. These are my thoughts, but why do they feel so foreign? Where have I gone? I’ve hidden myself in a labyrinth with no end, but I wouldn’t be able to answer you if you asked me what I was hiding from. There are no monsters in my kingdom, but I still tremble in my dreams. If you’ve figured me out, or if you’ve found me, please let me know.
Unknown (via ha-n)

(via whitewolfe)

Source: larmoyante

crazyhamlet:

saucy-dwen:

beastygrowl:

traediras:

mrcontro:

scaleeth:

kimbley:

scaleeth:

mrcontro:

Everyone on my Tumblr dash, PLEASE watch this. Especially if you are a creative artist:

Adobe is going to scrap their hard copies (disks) for their software (Photoshop, Illustrator, After Effects, Flash), and have you pay a subscription for the latest software called the Adobe Creative Cloud. $50 per month. Could you really afford such an expense in the long run?

This is really disturbing. Please hear what he has to say, it really is a serious situation for working artists. Pass this along so others may know about the Adobe Creative Cloud and how horrible it is.

Yep… Just went to see how much Flash costs. You know, to just buy the program? Guess what? After spending a while looking, it appears that you CAN’T anymore. You have to pay an outrageous subscription fee. I hate adobe. Is there a petition going around to stop this nonsense? Because I want to sign it.

Thanks! I know a lot of artists and people who like art follow me. You guys should go sign that.

Today I just signed the petition in the voice against the Adobe Creative Cloud. For those who are not familiar with what the new Creative Cloud can do to you as an artist, I really suggest you watch this video.

For those who have seen, reblogged, faved, here’s the link (as shown in the previous reblog) to sign the petition. Anything can happen, Adobe really needs to know that many artists are not supportive of them controlling not just the software..but the content worked on the Cloud.

Signed! Boosting the signal, I prefer to be able to buy my software.

I’m not going to fucking SUBSCRIBE to Photoshop. What the fuck do you expect me to tell people, “sorry, can’t do your commission this month. Couldn’t afford the Photoshop rent”?

This is why I use Corel Painter :|b So few people seem to and I don’t understand why. It’s so much cheaper, super versatile, and doesn’t have this bullshit surrounding it :/

This would bankrupt most small animation companies. They would be forced to a) ask for more money from clients and be passed over for cheaper places (which would give them less contracts, force them to fire most staff, and eventually (probably) close). B) be forced to switch to a new program and retrain their current team or hire a new one.

And not even just companies; this would hurt anyone who freelances, wants to learn the program, schools…

(via madelezabeth)

Source: mrcontro